Comprising elements of the avant-garde, science fiction, cutting-edge hip-hop, black comix, and graphic novels, Afrofuturism spans both underground and mainstream pop culture. With a twofold aim to entertain and enlighten, Afrofuturists strive to break down racial, ethnic, and all social limitations to empower and free individuals to be themselves. This book introduces readers to the burgeoning artists creating Afrofuturist works, the history of innovators in the past, and the wide range of subjects they explore. From the sci-fi literature of Samuel Delany, Octavia Butler, and NK Jemisin to the musical cosmos of Sun Ra, George Clinton, and the Black Eyed Peas' will.i.am, to the visual and multimedia artists inspired by African Dogon myths and Egyptian deities, topics range from the
Libro en Ingles
This is a long overdue collective mix of jazz, blues, and funk poetry, sociopolitical poetics, and praise poems influenced by history, science, and the cultural expressiveness of the African Diaspora from a noted spoken word warrior and cultural historian.
Who is Aretha Franklin? - Nico Medina
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to ...
In 2015, diversity has become the buzzword in the comic book industry with companies like DC and Marvel claiming to lead the charge, but merely scratching the surface of the complexity and intersection of race, culture and gender.
The 4 Pages | 16 Bars: A Visual Mixtape presents Sequential Graffiti is a sampler for potential fans to enjoy our intellectual properties, a showcase for existing and upcoming talent as well as a source guide for those fans to purchase our books.
The scene is more diverse than Image or Dark Horse. This is visual Jazz, Rock, Funk, Hip Hop and electronic music. This is art for the people.
The Black Age of Comics. This is the term coined in 1992. With the emergence of Milestone Media, Brotherman, Tribe and other entitles in the early nineties, the presence of the African American in sequential art could not be denied. In 2015, diversity has become the buzzword in the comic book industry with companies like DC and Marvel claiming to lead the charge, but merely scratching the surface of the complexity and intersection of race, culture and gender. We are Visual MCs and Literary DJs. We move our pencils and pixels like the comic book B-Boys and B-Girls we are, with our Graffitti making the world a little more beautiful...a little more flavorful. The comic book industry is more than DC or Marvel. The scene is more diverse than Image or Dark Horse. This is visual Jazz, Rock, FunK
Magic. Myth. Warfare. Wonder. Beauty. Bravery. Glamour. Gore. Sorcery. Sensuality. These and many more elements of fantasy await you in the pages of Griots, which brings you the latest stories of the new genre called Sword and Soul. The tales told in Griots are the annals of the Africa that was, as well as Africas that never were, may have been, or should have been. They are the legends of a continent and people emerging from shadows thrust upon them in the past. They are the sagas sung by the modern heirs of the African story-tellers known by many names - including griots. Here, you will meet mighty warriors, seductive sorceresses, ambitious monarchs, and cunning courtesans. Here, you will journey through the vast variety of settings Africa offers, and inspires.
In Rock My Soul, world-renowned scholar and visionary bell hooks takes an in-depth look at one of the most critical issues facing African Americans: a collective wounded self-esteem that has prevailed from slavery to the present day.
Why do so many African Americans -- whether privileged or poor, urban or suburban, young or old -- live in a state of chronic anxiety, fear, and shame?
In Rock My Soul, hooks gets to the heart and soul of the African-American identity crisis, offering critical insight and hard-won wisdom about what it takes to heal the scars of the past, promote and maintain self-esteem, and lay down the roots for a grounded community with a prosperous future.
“This is a book of wisdom and whimsy, of mythology sprinkled with stardust. Every poem is a journey into a new desire fleshed out of history’s nightmares and our ancestors’ dreams. This is a devorah major Archana. Those who read tarot will know the power the Archana holds and how they govern. These poems rule a space between history and sea, relativity and dark matters, wombs and weaponry. I will pass these poems around at parties like hors d’oeuvres and tightly rolled joints. Some because they are delicious, others because they alter the state of consciousness. major is a free woman who wrote her own freedom papers in her own blood. Not beholden to some dead and despised rule book of ‘shoulda’ and ‘should nots,’ these poems speak a truth through art ...
This story spans our present time up to the third millennium. Ancient Future is a fantasy that will hopefully titillate the imagination of the young and old. Its theme is adult, but the children i worked with as a counselor for several years inspired many if its ideas. The novel is a story about loss and hope, pain and pleasure, joy and trepidation. It explores the heights of human aspirations and potential forced to coexist with human greed and selfishness. in a world of great technological advancement that boggles the imagination, there are factors that mar their quest for utopia. Ultimately it concludes with the realization that no great joy is ever achieved without some pain, and no pain is ever considered too great a sacrifice in the joy of great. United Minds
Matile Mala, once the most powerful empire in the black continent of Abengoni, is slipping slowly into decadence, and becoming more and more vulnerable to aggression from the nations and tribes it once dominated. In the capital, Khambawe, ancient rituals endure, dominated by dreams and delusions. As Tiyana, who is both priestess and princess, conducts one such ceremony, known as First Calling, the rite is disrupted by the arrival of a half-wrecked ship from Fiadol, a far-distant land across the sea that is almost forgotten by the Matile. Led by a Seer called Kyroun, the pale-skinned people on the ship seek refuge among the Matile.
No one has time for your BS...but Captain Desiree Quicho and her crew of utter badasses surely don't. Got a universe to save. Again. Commandeer one piece of out-of-this-world tech and suddenly you have an evil billionaire and a corporate queenpin on your ass, factions scrabbling at the power grab to end all power grabs, and an ultimate AI bent on a rampage of healing.
All a captain wanted was a little chill time, a few tunes, and quality barbecue.
Woe to those blocking her groove.
Four women; One machine goddess; a Hellbilly, Saharan elves, the baddest Pacific Octopus this side of Atlantis... and Humanity's balance tilting toward its biggest unknown future.
This book is an interesting new take on the love subject. Bell hooks uses her striking and incisive mind to take us on a literary journey that tries to break the barriers on love and sex and relationships. She gives insight into why people keep overlapping these subjects and why this is the reason many people end up in bad relationships.
The Mis-Education of the Negro is a book originally published in 1933 by Dr. Carter G. Woodson. The thesis of Dr. Woodson's book is that blacks of his day were being culturally indoctrinated, rather than taught, in American schools. This conditioning, he claims, causes black people to become dependent and to seek out inferior places in the greater society of which they are a part. He challenges his readers to become autodidacts and to "do for themselves", regardless of what they were taught:
History shows that it does not matter who is in power... those who have not learned to do for themselves and have to depend solely on others never obtain any more rights or privileges in the end than they did in the beginning.
Libro en Ingles
In the ruins of the collapsed United States, private inspector, Cybil Lewis and her inspector-in-training, Jane, fill a need. When Jane insists they look into her cousin's disappearance, Cybil agrees and is catapulted into a world of lies and deceit. As they investigate, they move far into the reaches of the divided states and deep into the upper crest of political turmoil. Caught up in the maelstrom of betrayal and corruption, Cybil and Jane unearth long buried secrets and survive attempts on their lives.
Originally published in 1939 as a counterpoint to the myopic, Eurocentric narrative of African history popular in the West at the time, Carter G. Woodson',s African Heroes and Heroines delves into the rich and complex political, military, and economic history of the African continent with the objective eye of a scientific observer. Intended for upper level high-school students, Woodson presents a fair biographical treatment of African leaders through history as figures of equal - if not greater - intelligence, prowess, and strength as the heroic leaders canonized in the histories of other races.
2018 Reprint of 1933 Edition. áThe thesis of Dr. Woodson',s book is that blacks of his day were being culturally indoctrinated, rather than taught, in American schools. This conditioning, he claims, causes blacks to become dependent and to seek out inferior places in the greater society of which they are a part. He challenges his readers to become autodidacts and to 'do for themselves', regardless of what they were taught.á According to Woodson, history shows that it does not matter who is in power... those who have not learned to do for themselves and must depend solely on others never obtain any more rights or privileges in the end than they did in the beginning.
"It's impossible for a chicken to produce a duck egg.... The system in this country cannot produce freedom for an Afro-American." Speeches and interviews from the last year of Malcolm's life.
This book examines the rich collection of travel writing about Spain by twentieth-century African American writers as Claude McKay, Langston Hughes, Richard Wright, and Frank Verby, surveying the ways in which such authors perceive Spain's place in the world. From the vantage point of Spain, these African American writers create transformative literary maps of the world that invite readers to reconsider their relations to others.
Janie Crawford, an African-American woman in her forties, recounts her life starting with her sexual awakening, which she compares to a blossoming pear tree kissed by bees in spring. Around this time, Janie allows a local boy, Johnny Taylor, to kiss her, which Janie's grandmother, Nanny, witnesses.
As a young slave woman, Nanny was raped by her white owner, then gave birth to a mixed-race daughter she named Leafy. Though Nanny wanted a better life for her daughter and even escaped her jealous mistress after the American Civil War, Leafy was later raped by her school teacher and became pregnant with Janie. Shortly after Janie's birth, Leafy began to drink and stay out at night, eventually running away and leaving Janie with Nanny.
Griot is defined as a member of a class of traveling poets, musicians, and storytellers who maintain a tradition of oral history in parts of West Africa. It is this very concept that inspired trumpeter, composer, bandleader, and now, author, Jeremy Pelt to seek out generations of amazing Black storytellers of America’s indigenous music, Jazz, to record their stories and bring it to the fore.
In the first volume of Griot: Examining the lives of Jazz’s Great Storytellers, you will read very intimate and candid discussions from Paul West, Warren Smith, Bertha Hope, Dr. Eddie Henderson, Larry Willis, René Marie, Lewis Nash, Wynton Marsalis, Peter Washington, Terri-Lyne Carrington, Justin Robinson, Greg Hutchinson, JD Allen, Robert Glasper, and Ambrose Akinmusire.